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News
Opus3 calls for common sense in surround sound (13/4/2005)
Swedish independent record company, Opus3,
has produced a special hybrid surround SA-CD showcase of many of
its leading recording artists including Peder af Ugglas, Eric Bibb,
Erik Westberg and Katinka Wilson. The album is the record company's
21st SA-CD release.
Opus3 has developed an international reputation
for its luxurious acoustic surround recordings - many personally
supervised by Opus creator Jan-Eric Persson. For these recordings,
SA-CD has proved the perfect audio partner. "First it was mono,
then came stereo and now, finally, we have surround sound," comments
Jan-Eric Persson. "In DSD and SA-CD we have found the perfect recording
and storage medium for surround sound."
Opus3 has chosen now to create its Surround
Showcase on SA-CD since the company passionately believes in the
power of surround sound to take music listening to new levels. "Surround
sound takes idea of hi-fi to a higher ground, but not all music
lovers realise this and I can understand why," explains Persson
"The reason is that many surround recordings are made to put the
listener in the middle of the orchestra. So far, I've never met
anybody anywhere in the world who likes this arrangement - many
people dislike surround sound because of this and think that this
is the way it always is made.
"Also, continuous sharp sound with a lot
of treble, such as percussion, is something that our 'ear-brain
system' does not like at all when coming from behind. This is the
reason why I have written a lot about surround sound in the sleeve
notes for the new Opus3 SA-CD "Showcase 2005" album and hope to
demonstrate with a variety of music how good surround sound can
really be! My basic idea with surround sound is to make the walls
in peoples listening room disappear and turn them into the place
where the musicians are performing the music - a Blues or Jazz Club,
a Church or a Concert Hall.
"Our target audience is people who like good
music, but with special attention to people who also appreciate
a good recording in order to transfer all the feelings and emotions
that the musicians and the composer want the listener to experience,"
adds Jan-Eric. "I believe surround sound is very important for the
future of the audio industry, thanks in a large part to the influence
of DVD-Video. People have become more and more used to surround
sound and I think it is already a natural expectation when buying
a disc with music only. Also, well recorded surround sound erases
many of the limitations of stereo when it comes to the musical experience!"
Within the surround sound sector, Opus3 is
disappointed to see continuing attempts to introduce new multi-channel
music formats - an event which, they believe, can only confuse the
music buying public. "It is both disappointing and confusing to
the music lover when we already have a Superb, versatile and flexible
format as SACD," states Jan-Eric. "As I understand, Dualdisc is
more expensive to press than SA-CD and you can not print text or
label on either side. Also, it seems very very difficult to keep
the thickness of the disc within the specifications - many hardware
manufacturers have already issued warnings to use it in their players,
while it can destroy the laser.
"I strongly believe that the music industry
has to explain much more clearly to people what surround sound is
supposed to do to enhance the enjoyment and realism of listening
to music," concludes Jan-Eric Persson. "Most people do not understand
its versatility for listening to music only - a lot of people associate
it with the 'crash-boom-bang' sound effects on many films. What
it offers to music is very different and of course also has to do
with taste - something I have tried to explain when it comes to
Opus3 surround recordings for years. I think it is very important
that we promote what SA-CD offers in terms of a flexible choice
- you can buy this future proof disc today, and later develop your
hi-fi rig into surround sound when you feel ready for it."
www.superaudio-cd.com
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